A NovelBook - 2019
From the critics
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Marianne had a wildness that got into him for a while and made him feel that he was like her, that they had the same unnameable spiritual injury, and that neither of them could ever fit into the world. But he was never damaged like she was. She just made him feel that way.
There’s something frightening about her, some huge emptiness in the pit of her being. It’s like waiting for a lift to arrive and when the doors open nothing is there, just the terrible dark emptiness of the elevator shaft, on and on forever. She’s missing some primal instinct, self-defense or self-preservation, which makes other human beings comprehensible. You lean in expecting resistance, and everything just falls away in front of you.
He makes a facial expression she can't interpret, kind of raising his eyebrows, or frowning. When they get back to his house the windows are all dark and Lorraine is in bed. In Connell's room he and Marianne lie down together whispering. He tells her she's beautiful. pg. 45
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Connell and Marianne attend the same high school in small town, present day
Ireland. On the surface they have nothing in common and probably wouldn't
have crossed paths outside school had it not been for the fact that
Connell's mother cleans house for Marianne's mother and Connell waits at the
house to take his mother home every day. So begins a friendship that is kept
hidden from their school friends because at school Connell is one of the
popular and confident kids, and Marianne is considered an awkward oddity,
having no friends, but really not caring either. Connell is embarrassed to
be seen at school with Marianne and Marianne seems to accept that they
shouldn't acknowledge each other.
Skip ahead a year, and the two are at university in Dublin. Marianne has
found her confidence and is popular and outgoing, while Connell can only
stand looking on from the sidelines uncertain with what to do with his life.
Despite the changes in their circumstances they are each supportive of the
other, and through numerous personal, sometimes destructive relationships,
they always eventually gravitate towards one another.
Normal People could be called a coming of age novel and the central
characters are young people, but it isn't necessarily a young adult novel. I
don't think Rooney is aiming to write for any particular generation because
what Connell and Marianne go through is applicable to most of us whatever
our ages. It's not quite a romance either, but it is a love story. It almost
defies categorization. Ultimately I think it's a novel about integrity and
doing the right thing for the person you love, all the while knowing that
your own life will likely be changed and diminished. It's a novel about pure
love, love that is capable of overcoming everything, including shame and
Nominated for the Booker prize, Sally Rooney's writing is beautiful, and
each new chapter is a snapshot in the lives of two flawed but hopeful young
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