Sartre is to theatre what Gaultier is to fashion. Both have a knack of taking a thing and standing it on its head to fully and better appreciate it. NO EXIT is one such look at hell. In THE FLIES, he re-works the Electra-Orestes story, bringing it up to a modern clip. He explores the vagaries of intellectualism in DIRTY HANDS, and challenges racial division with THE RESPECTFUL PROSTITUTE. When reading Sartre, expect the unexpected.